For the late philanthropist and art collector Doris Duke, her five-acre retreat in Honolulu was that place.
She used the name of the mythical oasis for her earthly slice of Eden on the edge of the Pacific Ocean and filled it with the art and architecture of the Islamic world that enthralled her all her life.
A selection of the artifacts she assembled is being shown for the first time outside the estate at the Museum of Arts and Design in New York.
Life and times: The tobacco heiress Doris Duke, one of the wealthiest girls in the world in 1946 (left) and in 1975 (right)
Elegant: Doris Duke with Mr C Alan Hudson at an International Polo match on Long Island, New York in 1931
The exhibit is intended to give a wider audience a look at the interplay among Shangri La's modernist 1930s architecture, its oceanside Hawaiian locale and the tobacco heiress' Islamic art collection, said Deborah Pope, director of the Doris Duke Foundation for Islamic Art, which acquired the title to Shangri La after Duke's death.
Paradise: Doris Duke's Idyllic Shangri-La in Hawaii
Tranquill: Duke's stunning Shangri La borders the ocean
'The ability to be absolutely modern and to seamlessly incorporate Islamic tradition is what makes Shangri La so alive an environment and so relevant today,' she said.
Many of the objects in the show are seen in the photos as they appear in the elaborately appointed Islamic-inspired rooms and courtyards, giving a wonderful sense of what it must have been like to live among such opulence.
Ornate: The Syrian room at Doris Duke's Shangri La, in Honolulu
Peaceful: Doris Duke's living room in Shangri La, where she would spend the winter months
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